Probably just a poorly made image if it is a box design. most who believe its real do so because its being taken down.
[quote="Zack Metoyer"][quote="Destroysall"]Here is the interview with Seamus McGarvey →
http://www.pushing-pixels.org/2013/10/0 ... arvey.html[/quote]
What the hell? We've known since 10/3 that Godzilla has flashbacks to 1954?[/quote]
Exactly what I'm thinkin!
Destroysall, thank you very much for posting that article because I had no idea the 54 film was going to be referenced, though I'm even more excited now than before. Sure 54 has been a prequel to every GODzilla film thusfar. But the ZILLA film GINO had no reference to it, nor did the DeBont script, so I think most assumed a US one would assume audiences are unfamiliar with it and need to start anew. I'm glad they saw the value in including either it or a reference to it. I'm glad Takarada may have been brought on board for more than just his good looks and to please core fans, but to establish a link in the continuity perhaps.
[quote]I have Arri Alexa camera, and particularly in dark sets it allows me to light in a totally different way. For instance, on “Godzilla” we did a lot of stuff that was at the very lowest register, and the director kept encouraging me to be brave with it. Had I been shooting on film, I wouldn’t have been gone quite so dark. But that gave me confidence, witnessing it on screen and seeing how far you can take it, because you see exactly what you’re getting.[/quote]
Once again confirms there will be several night scenes, guess you'll want a tv that achieves the darkest blacks.
[quote]On “The Avengers” Janek Sirrs was the VFX supervisor, and on “Godzilla”, which is a very different movie visually it was Jim Rygiel. Their work treads on mine, so we have to go in hand in hand, because there’s so much lighting that happens in the CG world. First they start with pre-vis, and the die is cast then in terms of the photographic style and certain sequences, so I like to get involved in that. These kids are drawing the pre-vis CGI get carried away. There’s a tendency to go videogame-style with their visual approach, and if I can be involved at that early stage, I can make it cinematic and point out shots that are unachievable or very expensive to achieve. These kids just make the camera hysterical.[/quote]
Good to hear that the cgi was supervised early on by someone well versed in practicality. Not disappointed to hear this is being shot in 2d. I saw thor 2 in 3d not by choice, and yeah Im done. THat was dolby, I normally hit imax if Im doing 3d but missed the show. Typically the imax glasses are recycled and unclean. But the dolby's are too dark and obscure things. So its lose lose in theaters IMO. I wont bother with it for Godzilla, at least not on the first show.