by eabaker » Mon Mar 10, 2014 4:39 pm
Yesterday was a movie-heavy day for me; I watched 3 on DVD, and went to the theater for a fourth. Two were movies I'd seen before, two were movies I had not. In viewing order:
The Men Who Tread on the Tiger's Tail (Akira Kurosawa, 1945) - I'd only seen this one once before, over a decade ago. Bought the DVD years ago, but it's taken me a long time to get around to watching it. I really dig this movie, and would say it's the first time that Kurosawa really achieved the overall style and pace that makes something now instantly identifiable as "a Kurosawa movie." The controversial insertion of the comic relief porter played by Eno-Ken is absolutely inspired; while it is Denjiro Okochi's portrayal of Benkei that carries the drama, the porter gives us a better identification character, and highlights both the nobility and the almost comical earnestness of everyone else.
Mr. and Mrs. Smith (Alfred Hitchcock, 1941) - The same visual and editorial instincts that made Hitchcock "the master of suspense" serve him very well in comedy; it all comes down to building tension before a relieving payoff, and letting the audience know just a little bit more than the characters at any given moment - but not too much more. Furthermore, the film's very last image is about as purely Hitchcockian is it can get. Unfortunately, the male lead's motivations are a little unclear at a key turning point in the first act, and are never really explained; and the second half of the movie just drags on a bit, with no real narrative direction.
Clerks II (Kevin Smith, 2006) - I really liked this when it first came out, and enjoyed it pretty well when I watched the DVD a couple of times right after it was released. However, repeated viewings had somewhat diminishing returns. Coming back to it after a few years - and after recently re-kindling my passionate love affair with the original Clerks - it just doesn't hold up. Too much of it feels contrived, too much of it feels obvious; Smith is trying too hard to be the same writer he was when he made the original. And it just doesn't work thematically; Dante's continuing inability to make any life choices for himself doesn't ultimately do him any harm, nor does he have the chance to overcome this issue, because, in the end, Randal, Jay and Bob just solve pretty much everything for him. And, Lord, Emma is just a badly underdevloped character, whose suffering at the end of the film we're apparently supposed to be able to just blow off because she was never dimensional or real in any way to begin with.
Gravity (Alfonso Cuaron, 2013) - Glad that I got to see this on the big screen, in 3D, because that seems like really the only way to experience this movie - and I mean that as a compliment and a criticism. It was immersive, it was powerful, it was often overwhelming; seen in this format, the tension and the spectacle were both absolutely brilliant. However, a lot of the character work was obvious and heavy-handed, in a way that would be a little problematic - though not devestating - in a format that wasn't otherwise so awe-inspiring. Still, overall it was very good, at times reaching into greatness... and then the last 30 seconds happened... It was as if, after building this tight, engaging, one-of-a-kind experience, right at the end the filmmakers simply looked at us and said, "This was all so powerful, was it not? And you see what we did there? Gravity! Feel it! I demand that you feel the Gravity of it all! Gravity!"
Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world.