by lhb412 » Mon Aug 26, 2013 10:06 pm
Well, after reading the first 1400 pages of the manga (thanks Dark Horse!) and getting a severe chanbara craving induced by the Zatoichi Blu-Ray announcement...
Lone Wolf and Cub: Sword of Vengeance
Ogami Itto, the Shogun's official executioner is framed by a rival clan! His wife murdered, and vowing revenge, he flees with his infant son, Diagoro, in tow to become the most feared assassins in the land: Lone Wolf and Cub!
Tamisanburo Wakayama certainly doesn't look like the muscular, ruggedly handsome Itto of the comic. He's a bit chubby and looks like he's made of lumps... but playing a badass sword-fighter is more than looks: he really gets the character and is great with the fights (being an actual martial artist helps).
The only problem with this movie is one of pacing. You see, the film has a frame story about Itto and Diagoro on one of their regular assassination missions interspersed with flashbacks detailing how Itto was betrayed and had his first clash with the Yagyu clan. The problem is the flashback material is much stronger and it ends with 25 minutes or so left in the runtime, leaving us with the less interesting of the plots. It would be drastically improved if the flashbacks were placed differently and we got the two big swordfighting showdowns (in the flashback and the present) one after another at the end of the movie.
Lone Wolf and Cub: Baby Cart at the River Styx
Despite lacking the emotional heft of their tragic origin story, this sequel is actually superior. The two plots (Itto and Daigoro on an assassination mission while Yagyu agents pursue them) weave together better, making for a great, driving sequence of escalating showdowns. The emotional core of the film is supplied by an expanded part for Diagoro. We see much more of the bizarre yet touching father/son relationship, and in a scene where his father is injured Diagoro steps up and is awesome.
Both of these are great adaptations. Close to the comic (which was told in a rather cinematic style anyway), filmed in a style that's alternately poetic and cartoonishly violent. Good stuff.