by eabaker » Thu Mar 07, 2013 5:07 pm
So, basically, you've seen the first entry in each of their major franchises, plus Curse of the Werewolf.
In none of those three franchises do I consider the first to be the best entry.
The Frankenstein series is by far the most consistent of the lot (Cushing and Fisher staying so closely tied to it certainly contributed, but there's also just so much room to explore with the character). The Curse of Frankenstein is a good entry, but, like Mouth and many, many others, I cite (without hesitation) Frankenstein Must Be Destroyed as the best of the lot. Fantastic character work (from both Cushing and his co-stars), great atmosphere and photography, and just a ton of good ideas. The only serious problem I have with it is the tacked-on rape scene, but even that is handled as tastefully as possible, and, being so irrelevant to the rest of the movie, can simply be skipped if one so chooses, without costing the rest of the movie anything.
I like Lee's take on Dracula, but I don't feel like he ever really got to develop it, and my favorite Hammer Dracula flick is one that doesn't even feature Lee (or Dracula, for that matter), The Brides of Dracula. Again, Cushing and Fisher are huge parts of that equation (I am such a gushing Peter Cushing fanboy), but what puts it over the top is the unique take on the vampire and his relationship with his family.
I'm not really a fan of Hammer's Mummy flicks. The first one is alright, but kinda bores me in places, and the next two entries offer the genre next to nothing. However, while it barely qualifies as a Mummy movie in any traditional sense, Blood from the Mummy's Tomb is an interesting little oddity.
Basically, KG, while it won't surprise me if Hammer is just never your thing, I think there's a lot you might explore that is very different from the early entries you viewed.
A few of my favorites, not already mentioned in this post, include:
Plague of the Zombies
Dracula Has Risen from the Grave
Frankenstein Created Woman
Taste the Blood of Dracula
Quatermass and the Pit
Captain Kronos: Vampire Hunter
Vampire Circus
Twins of Evil
As the last three selections on this list suggest, Hammer's vampire movies were often at their best when they were breaking away from the Dracula model. Vampire Circus is one I particularly delight in, because when I saw it, I felt like I was watching a movie I'd always wanted to make myself. Like, "Did a future me go back in time and "OH GODZILLA! WHAT TERRIBLE LANGUAGE!" direct this in order to teach the current me what a "OH GODZILLA! WHAT TERRIBLE LANGUAGE!" vampire movie can be like???"
Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world.