by Enshohma » Wed Sep 21, 2011 5:39 pm
That's rather hard to do, since almost all the Toho sci-fi films of the 1960's are connected to Godzilla is some way or another, but my top picks include...
"The Human Vapor" - has a very good "Invisible Man" vibe going for it, but with a title character that stands on his own merits, super-villain wise. Its also the only Japanese tokusatsu film where I can't decide wither I like the Japanese version over the American one, especially since their both so different, and yet so strong in their individual terms. The Japanese version plays out like a real-life police drama until the half-way point, when the Human Vapor reveals himself and his abilities fully, while the US cut tells the whole movie from our anti-hero's point of view, giving into the "Invisible Man" structure totally.
"The H-Man" - has a wonderfully nasty edge to it, with both the Yakuza angle, and more so, the insidious Liquid People and their horrendous abilities of melting and consuming human beings. Basically showing us all the horrific details that movies like the original "The Blob" only hinted at off-screen. And unlike the aforementioned "Human Vapor" or "Dogora the Space Monster", this film combines the police / crime thriller, and fantasy elements with better, more successful results. I also love the unorthodox idea of a scientist and night club singer falling for each other, amongst the oozing carnage.
"Latitude Zero" - admittedly this move takes a good while to really get going, and coming off as one of the first victims of the post-1960's decline in Japanese cinema. And the rise of the painfully slow second act of Japanese films because of it, which we still suffer with to this day. But that, and the film's own troubled history aside, I love this tokusatsu take on the pulp adventure and sci-fi stories of a pre-WW2 America, complete with an international group of characters, mad scientists, various monsters, scientific heroes, and a fantastical, if not hopeful secret world of Latitude Zero itself. There's so much going on here, that a remake, sequel, or even a television spin-off would be a welcome re-visit.
"Frankenstein Conquers the World" - again, it's practically a Godzilla spin-off due to Baragon's (and the Giant Devilfish's) presence within it. And of course a lot of Frankenstein purists rate it among the worst films based on Marry Shelly's iconic monster, which is quite unfair in my opinion. The movie is actually a pretty cleaver play on the concept, while also being its own stand-alone tale. And does an effective job at connecting the Godzilla universe to that of the 'Modern Prometheus', and without undermining the original text in turn. Plus, it's almost near perfect as an example of the Kaiju Eiga genre at its best, if not most colorful, and an enjoyable movie period. I know people prefer "War of the Gargantuas" and "Monster Zero" over this one, but Nick Adams still adds to the film's appeal, and the giant Frankenstein mutant himself is a seriously underrated giant monster. Oh, and Baragon and the Giant Devilfish are good too of course.
Guess All of the Above Monsters' Names and Respective Places of Origin and Win a Prize!