More love for
Prince of Darkness.
I just drove by that church a couple nights ago, visiting a friend in downtown LA. It's not as remote and creepy as the movie would have you think, and there are a LOT of remote and creepy places in LA! Perfect John Carpenter settings.
The Church is in Little Tokyo, and is now an Arts Center, all gussied up and not a hint of the menacing neglect as seen in the movie (brilliant set decorating, but back then, I expect that it WAS more run down and neglected than it is now).
In fact, the forecourt had some big shindig going on with tons of people and live music, not the greatest time for Carpenteresque photo-ops.
They Live features more of LA at it's most...well, L.A.-ish.
Big Trouble in Little China is another 80's favorite, and at this point, I'll just have to say that anything else Carpenter did from then (well, anything he does) is fine by me!
Near Dark is a great movie, King Ghidorah....cast, director, location/setting, Tangerine Dream score....
As for
Monster Squad / Night of the Creeps, Fred Dekker was a customer of mine in the 90's, and I was completely oblivious of who he was at the time.

He has 2 paintings of mine, one of them a commission!

VERY nice guy.
And
The Blob remake, one of the few times a remake improved on the original, which wasn't really that much of an effort, but even so, it's a neat little movie.
INFERNO was the Argento movie that sticks out to me most from the 80's, as problematic as it is. Interesting continuation of the mythology hinted at in Suspiria, typical eye-candy Argento, shrill Keith Emerson score (yes, yes, we all know)....
I'd have to say
The Fly was one of the greatest horror movies to come out of the 80's, if not beyond that, another superior remake and Cronenberg doing what he did best. LOVED
Videodrome as well.
More 80's glory:
Altered States and
Lair of the White Worm, both by Ken Russell, a master of excess and bad taste. His movies are lurid, in-your-face, and never boring.
Also:
The Hitcher. I remember the movie getting a lot of flack when it came out over its bleak, nihilistic view, but it's absolutely restrained compared to some of the slaughterhouse porn we get today, INCLUDING its remake, which I only saw a few seconds of, thanks to someone who said I just HAD to see something on youtube. The original scene involving Jennifer Jason Leigh was horrific and numbing, and didn't show anything. What I saw was pretty horrific and numbing, but in a way I don't really find necessary.
Great Mark Isham score on
The Hitcher, along with the location scenes shot out between Needles and Barstow, some of the creepiest desert landscape you'll ever be likely to drive through. Actually, I've driven through even creepier landscapes, but it's definitely up there for mood and atmosphere.