by lhb412 » Tue Oct 22, 2024 6:18 pm
Just finished my Godzilla omnibus!
This series has kinda been there for me my entire life. I first grabbed a few back issues at age ten, and Marvel's b&w phone book reprint came out when I was in my late teens. The reputation this comic has is that of a campy curiosity - Godzilla fighting Marvel heroes, after all! - but, coming at it now with some experience and knowledge of comics and comic history I gotta say; it's a really solid little comic! They do a better job than I remember of attempting to capture the Japanese style in the book, albeit with the handicap of not being able to include other Toho monsters. We start out with a nuclear origin, and a vaguely Showa-esque backstory located in Japan before Godzilla makes landfall in America in issue #1. The first few issues are all about SHIELD countering the Godzilla threat, we gradually introduce enemy monsters for Godzilla to fight, we understand him more as a misunderstood anti hero, and then the comic's biggest stroke of genius: Red Ronin! Recognizing the Japanese super robot trend (I suppose via Shogun Warriors) and having a Godzilla loving kid (ala Gamera and '70s Godzilla) be the pilot? You can't say Doug Monech wasn't trying his damndest to capture the Japanese flare. Sure, the final arc of the comic where they chunk the whole Marvel Universe at Godzilla is the most famous because of the novelty, but this read really has my appreciating the earlier issues.
This reprint really has me appreciating Trimpe's art; clean, classic comic-booky stuff, and it flows, you know? You can tell how much he loves to draw machinery and whatnot; those Kirbyesque vehicles, uniforms, and especially Red Ronin! Too bad he rarely got to ink his own pencils. I think the inkers are a bit hit-and-miss at bringing out the best in his work. Speaking of inkers; I never ver noticed Klaus Janson's inking on one of those fill-in issues! It's amazing how much we think of as Frank Miller's style comes from Janson's inks. Those big, chunky brushstrokes are right here in this Godzilla issue.
As for complaints? The three issue Mega Monsters story is in many ways the highlight of the series. It's almost the finale of the first 2/3rd of the book and their attempt to do a version of the Astro-Monster/DAM/vs.Gigan style monster tag-team match alien invasion story, but I do feel it needs to be an issue longer. Trimpe's art and storytelling feels a bit cramped as it has to cover so much story. Compare thus to the two-issue cowboy story that immediately follows: not a whole lot of incident, so Trimpe luxuriates in wonderful splash pages and panels, lots of great desert backgrounds. Feels like Trimpe delights at drawing Western elements, and (the test of any cartoonist) he draws good horses!