by jellydonut25 » Mon Oct 23, 2017 1:41 am
Night of the Living Dead
Dawn of the Dead
Day of the Dead
The Crazies
Land of the Dead
Season of the Witch
Monkey Shines
Martin
Two Evil Eyes
Bruiser
Diary of the Dead
Survival of the Dead
Monster Squad
The Final Girls
The H-Man
The Human Vapor
Secret of the Telegian
Yokai Monsters: 100 Monsters
Yokai Monsters: Spook Warfare
Yokai Monsters: Along with Ghosts
Friday the 13th: The Final Chapter
Night of the Living Dead 1990
The Great Yokai War
Dawn of the Dead (2004)
Circle (2015)
Cult of Chucky
Gerald's Game
Frankenstein (1931)
Daffy Duck's Quackbusters - It's not great or anything, but it is great at this time of year when you just want a quick visit of a bunch of horror-themed Looney Tunes. I watched it a LOT as a kid and it was a fun revisit. 3.5/5
The Babysitter - It's not GREAT...in fact, it's occasionally problematic, as at times it definitely lacks an internal logical consistency, and at other times it feels like its stylistic decisions were made JUST so the movie could be bright and vibrant and stylish without having a real vision or reason for being that way.
BUT screw that. The Babysitter is fun. The Babysitter is the big bad, instead of the damsel in distress...why has it taken us this long to get here? The character interactions are fun, the main character genuinely likable, and it's just a fun ride. I enjoyed it in very much the same way that I enjoyed The Final Girls, as this sort of somewhat innocent, riff on the genre that is just too much fun to hate...just a little less than The Final Girls. 3.5/5
1922 - Let's get it out of the way: this movie is slow. It's a slow burn, that barely feels like a horror at times and definitely could be for the more faint at heart.
HOWEVER, it's REALLY good. It does everything very well, is well-acted and does a great job of adapting King's story, doing what the best adaptations do: knowing when and when not to stick with the literal story.
The story is about a simple farmer deciding to murder his wife because she wants to sell all his farm land out from under him (because it's hers from her father), and how that decision ends up corrupting and corroding his entire life. It shows how the easy way out is never the easy way out and just creates more problems. It's thrilling, chilling, atmospheric, and despite its slow pace, is very WELL-PACED, taking its time in all the right ways to build the mood and characters such that we care about what's happening.
The script is occasionally a bit thin (I could have used a little more time with Henry and Shannon, and especially Neil McDonough's Harlan), and I'm not sure it's quite VISUALLY striking enough (the director may or may not be a good one at the end of the day), but 1922 continues what has been a very good year for Stephen King adaptations (3 good ones with It, Gerald's Game, and now 1922) . 4/5