by lhb412 » Tue May 03, 2016 8:55 pm
Sullivan's Travels
This is a classic comedy that... just didn't do it for me, at least in this initial viewing. I mean, it's got incredibly clever dialog and a great cast headlined by Joel McRae and Veronica Lake, but for me it just does't come together. So, yeah, SPOILERS for those who haven't seen the film: the titular Sullivan (McCrae) is a hugely successful writer/director of comedies who desperately wants to make serious, important movies, and decides to make poverty the subject of his new film. Once it becomes clear to him that he knows nothing about the subject because of his pampered life he decides to disguise himself as a hobo and live the life. At first he just gets into a lot of slapstick shenanigans, but eventually things get real and when at his most desperate Sullivan ends up in a prison work camp in the South he has a revelation when he and the other inmates watch a Mickey Mouse cartoon and for a moment laugh and enjoy themselves, forgetting about their troubles. When Sullivan manages to extricate himself and get back to civilization he decides to put away his pretentious dreams and go back to making people laugh, his lesson learned.
This is a bunch of bull.
I mean, the ending would have worked fine had the move stuck to the lighter touch of the first two thirds, but the third act veers into such a different direction it makes the ending moral look at worst like an endorsement of the status quo and at best laughably quaint. The third act ends up showing just how bad people are allowed to treat the poor, how people are allowed to harass and ignore their civil rights because no one cares about them. If the movie ended with Sullivan saying he's gonna make comedies but also, say, set up a foundation with his millions to lobby congress to reform the criminal justice system then I could dig, but as is the movie seems at odd with and deflates itself.