I really enjoyed GFW alot...not a perfect film by any means (though I found many of this film's biggest critics to be extremely prudish/yuppy-ish/prissy/hypocrital and over the top at times...but I'm not opening that can of worms again...to each their own, and the debate about this film became quit boring and pointless a long time ago), but for me personally, it restored alot of the fun and magic that had been missing from the beyond-description bordom of the Kiryu snoozefests that I endured the previous 2 films. When I saw it for the first time, it reminded me of my childhood days watching G films on TBS Super Scary Saturdays.
Having said that...I can't say I liked the soundtrack much
AT ALL.
When Keith Emerson was announced as a composer, my reaction was initially very positive, despite it seeming to be an oddball choice. I felt his work for
NightHawks to be one of the best, most underrated movie soundtracks of the 80s, and his rendition of "I'm a man" during the epic Stallone-Hauer staredown created an intense, amazing atmosphere unmatched in the action genre. I held him in high regards and looked forward to his unique take on a kaiju film's soundtrack...
...um...yeah...the rest you could say is history

:-\ :th-dn: Needless to say, the final score was EXTREMELY disappointing.
I didn't hate all the music in the film...in fact, I felt there was some very solid stuff hidden here and there. The film started off with some great music (the theme during the GvsGotengo opening battle was fantastic, the opening credits theme is one of my favorite themes of the series, the subtle nod to Minilla's old theme was a nice touch, and the motorcyle chase theme later on really got the adrenaline running). But as far as I know, those weren't even composed by Emerson (if I am wrong, please feel free to correct me on this)...and his ending score was, as people described, more suitable for a video game ending or something played between innings at a baseball game...just terrible. And don't even get me started on that terrible Ebirah battle/Gotengo charge theme (though again, I don't know if Emerson was responsible for that putrid theme or not). :puke: Ebirah's factory scene stole the show, but his scene was nearly ruined by that annoying theme. Playing the awful "We're All to Blame" during the G/Zilla battle was totally rediculous and came out of left field, and the themes played during the both the monsters' world rampage and Godzilla's battle with Anguirus/KS/Rodan were both very hokey and detracted from what should have been epic scenes. The fact that the best themes of the film are Ifukube's classic KKvsG theme and Sato's GvsMG theme says volumes for most of the "new music"...
About the only positive I can say is that at least GFW's soundtrack wasn't as bad as Hattori's astrocious "made for TV-Direct to Video" work on GvsSG and G2k...but then again, that's not saying much...