by eabaker » Mon Aug 24, 2015 7:42 pm
We watched Edge of Tomorrow yesterday. The first hour and change was pretty good, as basically "Groundhog Troopers." But the last half hour just fell totally flat for both myself and Jenn, and the ending was just horrendous; not only didn't it make any sense in terms of the internal logic that had been established, but - much, much more importantly - it didn't work thematically, either. I read that Christopher McQuarrie felt that, having played up the comedy in his drafts of the script, he needed to give it a traditional comedy ending, but... he was wrong. Playing up the comedy in a poly-genre work doesn't mean that you have to follow all the rules of a bland mainstream comedy.
I would have forgiven the total garbage last couple of minutes, though, if most of the previous half hour hadn't been such hollow, poorly paced, murkily lit generic action movie nonsense, following on what had been such an entertaining exploration of a pretty cool little premise.
Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world.