by Psycho Soldier » Tue May 06, 2014 2:56 am
I can't listen to the score, because Spotify hates Canadians and I can't be bothered to use a proxy right now. But I'm not surprised to hear that it's more utilitarian than thematic. The complaints about it sounding dissonant and chaotic pique my interest - now I'm more curious to hear it than I was before. I liked the stuff that was released earlier, so the full soundtrack might fit with my tastes.
EDIT: The YouTube magic has pulled through for us, so I've just finished listening to the soundtrack. To both confirm and deny what others have said, this score is much more about rhythm and dissonance than about strong themes or melodies, so it doesn't necessarily sound like a traditional Godzilla score in that sense. With that said, I was able to identify 2 motifs (heard in "Godzilla!" and "To Q Zone") which recur in at least 4 or 5 other tracks. Sometimes their usage is fairly subtle, but I can certainly hear them.
Overall, I think the score is pretty decent. It's not one where I can point at a track and say, "That's my favourite," but I think it comes together as a whole. ("To Q Zone" probably wins on the strength of its second half - that's maybe the best I can say.) I'm not as bothered by the shakuhachi as others are. However, it's used pretty aggressively, and runs the risk of sounding comical and/or stereotypically Japanese in the film's context. The dissonance works for me - it's no 'Rite of Spring' (few things are), but it should effectively lend a sense of chaos to the proceedings. There's also at least one moment that sounds like Ligeti, so if you liked the trailer music, you're not out of luck. This is all good background music for sure. For me, at least, it also works as a stand-alone listening experience.
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