by Benjamin Haines » Fri Jun 25, 2010 9:30 pm
Fade in. All communications to and from the city of Miami have mysteriously ceased. A government investigation finds that the city has been completely obliterated. No building remains standing, no life left anywhere. Total desolation. Amidst all the rubble, a television news van is found remarkably unscathed. Inside it, digital video tapes reveal some startling footage: a giant insectoid monster descending from the sky and laying waste to the city. The news van monitor shows that as the buildings fell and the fires raged, a monster not seen since 1954 - Godzilla - rose from the Atlantic and killed the giant insect in an instant. He then returned to the ocean without making so much as a sound.
A conference is held on the floor of the Senate to decide how this highly-sensitive footage of Godzilla should be revealed to the public. On one side, there are people insisting that Godzilla should be presented as a menacing, terrifying monster determined to slaughter people and rain black fire upon us. These folks argue that contemporary Americans will only accept the notion of Godzilla's existence if he's presented to them as a being of pure evil and darkness. On the other side, there are people insisting that Godzilla should be depicted as a benevolent being, a hero that we can root for as he saves us from the threat of other monsters. They insist that Godzilla should be presented to the public as a creature that is appealing to children, because deep down we all have an inner child who wants to sympathize with monsters like Godzilla, not be afraid of them. There's also the issue of Godzilla not roaring on the footage obtained from the news van. Half of the congressmen insist that the footage should be edited to include a low, ominous sound like a contrabass coming from Godzilla, while the other half say they should give him a light, energetic roar. Futhermore, there's the matter of how the news footage doesn't provide an entirely clear look at Godzilla, but it proves to be just as divisive as half of the senators lobby for producing new footage with state-of-the-art CGI special effects to give the public an idea of what Godzilla can do, while the other half insist that old-fashioned man-in-suit effects would better represent the monster's true nature. The debate escalates into loud arguing and finally culminates in an all-out brawl on the Senate floor, with a small group of scientists and elders quietly observing the debacle from the sidelines.
Amidst all the commotion, Godzilla surprises everybody by stomping the Senate flat with everybody in it. He then proceeds to willingly kill people fleeing in the streets, with close-up shots of his toe claws goring and crushing people to death in slow motion, including small children. Then he does a flying kick into the Washington Monument and rescues Minilla, who it turns out has been trapped inside. With his son in tow, Godzilla winks at the camera and uses his atomic heat ray to fly off into the sunset as the opening theme from the US version of Godzilla's Revenge plays.
The title would be Godzilla: Everybody Loses. Also, the opening weekend box office receipts would accidentally be destroyed in a fire, so we'd never know how many people turned out to see it.
Last edited by
Benjamin Haines on Fri Jun 25, 2010 9:46 pm, edited 1 time in total.