For those who always damn California for all of the events that happen out here, in this case I have to say,
"Dammit! I hate Canada! Everything happens in Canada!"
But seriously, I can tell you that "Eiji Tsuburaya" will be in shops on the West Coast shortly, and I am scheduled to do a in-store signing at the Borders Books at the Stonestown Galleria in San Francisco in a couple of weeks (the first weekend in November). Stay tuned for more details.
For now, here's a Canadian review from Tooth and Dagger.com
[i]G33K!
By: Chris Eng
Let’s face it—we’d all destroy Vancouver if we could.
If we were a couple hundred feet tall and could neatly snap the Top of Vancouver revolving restaurant off the Harbour Centre and toss it so it landed point down on BC Place, puncturing and deflating the dome in a cloud of dust and debris, we’d do it. If we could pick up the Lion’s Gate bridge and swing it like a baseball bat against the side of the North Shore mountains, sweeping the pricey and tacky homes into the sea en masse, we wouldn’t even think twice. But we can’t. And while that’s sad, our destructive impotence is no doubt at least part of the reason we love Godzilla movies so much, and much of the reason why, if more of us knew who he was, we would be insanely jealous of Eiji Tsuburaya.
Eiji Tsuburaya got to destroy Tokyo dozens of times. He destroyed Moscow, New York, Paris and Beijing at least once each, and left countless South Sea islands utterly barren. He coordinated attacks from outer space and crushed Earth’s meagre defense forces. Of course, that’s all child’s play when you’re the chief special effects artist for Japanese cinema during the rise of the daikaiju (or “giant monsterâ€