by Benjamin Haines » Sun Jan 21, 2024 12:53 pm
^ You're right about all of that. Ultraman shows usually do offer much more variety than most Kamen Rider, Super Sentai or Metal Hero shows. Even though I'm biased as a lifelong fan of giant monsters and Eiji Tsuburaya, I do think that many of the best tokusatsu shows are Ultraman shows.
Recycled effects footage is definitely more of a hallmark of Toei's franchises, especially Super Sentai and Metal Heroes. All of those are built on the core template of the original Kamen Rider series, which is the definition of repetitive, not in terms of recycled footage but in terms of its storytelling. That's why I kind of gauge how varied or repetitive any Toei tokusatsu series is relative to the original Kamen Rider, and by that measure Space Sheriff Gavan is one of the standouts. It has the distinctly early-'80s aesthetics, Kenji Ohba is terrific as the lead hero, and even though the closing action sequences tend to follow the same formula and use recycled footage, the individual stories of each episode are relatively varied.
You mentioned how Ultraman series episodes often focus on different cast members, and that's also something that Super Sentai shows are able to do much more often than Metal Heroes or Showa-era Kamen Rider. Super Sentai shows likewise tend to be relatively more varied in their storytelling. They're a lot of fun.
I agree that the Heisei-era Kamen Rider shows are a whole other kind of awesome. Kuuga broke away from the template of the original Kamen Rider and struck a whole new series template, and it seems like that influenced Toho's approach to Super Star God GranSazers and TPC's approach to Ultraman Nexus.