by Benjamin Haines » Tue Aug 16, 2022 12:20 am
Looking at the writers behind the various toku series episodes, Shozo Uehara was absolutely prolific. He went from writing or co-writing two episodes apiece for Ultra Q and Ultraman to twelve episodes for UltraSeven. Then he got promoted to head writer on Return of Ultraman and he scripted 20 of the show's 51 episodes on his own, including the first seven episodes, all of the two-parters and the final episode.
From what I've gathered, Uehara wrote all of his scripts solo since then, and while he contributed seven scripts for the first half of Ultraman Ace and a two-parter for Ultraman Taro, it didn't take him long to start writing for other shows outside of Tsuburaya Productions. He wrote the fourth episode of Zone Fighter for Toho, which was the first one to feature Godzilla and was also directed by Ishiro Honda with special effects by Koichi Kawakita. For Senkosha Productions from 1971 to 1975, Uehara wrote half the episodes of Silver Kamen, nearly two-thirds of Super Robot Red Baron and more than two-thirds of Super Robot Mach Baron. For Toei from 1975 to 1982, he was the head writer on all of the first five Super Sentai shows as well as their Spider-Man series. In 1987, he was the head writer for Kamen Rider Black's first cours of episodes. In the 1990s and 2000s, he wrote seven episodes of Choriki Sentai Ohranger, one episode each of Ultraman Tiga and Ultraman Dyna, four episodes of Ultra Q Dark Fantasy, and two episodes of Ultraman Max.
The first five shows in Toei’s Metal Hero franchise were almost completely written by Uehara. From 1982 to 1987, he wrote 37 out of 44 episodes of Space Sheriff Gavan, then 41 out of 51 episodes of Space Sheriff Sharivan, then ALL 49 episodes of Space Sheriff Shaider, then 42 out of 46 episodes of Megabeast Investigator Juspion, and then 38 out of 44 episodes of Space-Time Warrior Spielvan.
No matter which series he was writing for, Uehara really understood the importance of offering something different to viewers in every episode as much as possible within the framework of each show's formula. I think that makes shows like Return of Ultraman, Himitsu Sentai Goranger and Space Sheriff Gavan a lot less repetitious and more entertaining than something like the original Kamen Rider.
