To be clear, my whole point about the use of the word "print" was to point out that whatever brightness issues the Blu-ray may have, it was almost certainly a deliberate creative decision, not a failure to chose the right source elements. In other words, it has nothing to do with the condition of any kind of "print" or even the transfer. When the disc is mastered the transfer supervisor has the ultimate authority over how the film will look on Blu-ray, especially when working from Digital Cinema elements. Almost all modern films are transferred from Digital Cinema elements, so the film can look the same or different from the Digital Cinema version depending on the settings used during conversion to a Blu-ray compatible video stream. The transfer technician has total control over how that conversion is done. He or she can make the picture lighter, darker, change the color balance and saturation, etc. Many times this is done with the participation of the director or DP, sometimes just with the participation of the film's post production manager (this is becoming more and more the case).
The long and short of it is that Godzilla 2014 looks the way it does on Blu-ray because it was
deliberately mastered to look that way. Whether or not it was a good artistic decision we will all be able to ascertain for ourselves in a couple of days. From the early reviews, though, it looks like an excellent time to get your TV calibrated
