by Robert Saint John » Mon Jul 16, 2007 2:58 pm
What you guys have said, especially Dan, really reinforces to me that this would be the way to go. Seems to me that whether a filmmaker is trying to convey an enormous scale of horror, or an incredible sense of awe, it's what is implied rather than shown that has the greatest effect. Whether or not this is the approach with Cloverfield, we'll see.
But I think back to what (to me) works, and what doesn't:
WORKS:
ALIEN/PITCH BLACK/JAWS - scare factor multiplied because you barely ever see the ____ itself, hardly ever see it in full view, and only very quickly.
Lovecraft stories - as Dan said, it's so often part of the description that it's, erm, indescribable (lest it drive you insane!), that lends so much to the very effective feel of dread in those works.
BLAIR WITCH - things that are ordinary or, at least, unextraordinary, but shown in such a way as to be very creepy (sticks hanging from trees, handprints, a guy standing in corner)
CLOSE ENCOUNTERS - the orginal ending had that incredible sense of awe
SIGNS - seeing the alien on videotape walking by the children's birthday party, and really just watching the family see the whole thing unfold on television.
DOESN'T WORK:
So many B-movies - 50 years ago or 5 years ago, how often does seeing the monster pretty much suck the horror out of a horror film? Especially all those awful haunted house remakes a few years back, like THE HAUNTING. CG borefests.
SIGNS - Mel Gibson takes on the alien with a baseball bat.
THE ABYSS - after all that build up, I can't say I found the giant sapceship under the sea all that awe inspiring in broad daylight
CLOSE ENCOUNTERS - the revised ending... inside the mothership... bleh... disappointing
I'm stumped at the moment for better examples either way. And it gets diluted by different flavors of scares in the horror genre (implied fright vs surprise fright vs gore fright). So maybe there is no hard and fast rule any longer, so many of these things are staples in film now. Even the idea of "don't show it and it's scarier" won't work in the hands of an unskilled filmmaker. It could just as easily feel like a ripoff, or just a bad movie (THE CAVERN is just as bad as THE CAVE, but I thought THE DESCENT was quite scary, and you do see the "monsters").
So, thinking more about it, I'm convinced that if they wanted to, they could make a movie like this, never show the _______, never even explicitly explain what ______ was, and it be a better movie as a result. But it's risky. Especially when your audience may have to put up with 90+ minutes of shakey cam, if in fact that is the style of the whole movie.
Robert - Cleveland, OH
(formerly mechascorpio)