by MouthForWar » Mon May 27, 2013 1:27 am
But the studios would never back those movies if they didn't think they had a huge mass market to appeal to.
They're the ones footing the money and deciding when and why a movie is getting made. And directors like QT and GDT know how to play ball with them and meet the needs of a studio in making a product that will be ready for mass consumption.
And Pacific Rim's script was floating around long before GDT ever came on board (Travis Beachem created this property, not GDT), so it would have been made with or without him. He polished the final script and his name is making the movie marketable, but Pacific Rim isn't his creation.
Just because a director only chooses films they personally want to do doesn't mean those movies aren't being made for a mass market. Of course, most auteurs with clout like GDT or QT won't make a movie unless it appeals to them. But the studios who allow them to make those films are only letting them because they sell to the biggest markets in the world and they make them money. Without those studios, there would be no Pacific Rim or Django Unchained. These aren't tiny little indie films like the stuff someone like David Lynch or David Cronenberg make. Those guys don't often work in Hollywood and their films usually aren't designed to appeal to a giant audience. Tarnatino and GDT are auteurs who pick stuff they're passionate about, but their movies aren't being made for a handful of people like Cronenberg or Lynch's films are. They are giant blockbusters that are made for everybody.
I mean, Joss Whedon is a really careful guy when it comes to picking projects and he's a nerdy fanboy also, but when he made the Avengers, he wasn't making it for comic book fans. He was making it for everybody. And it worked, hence why its the third biggest movie of all time.
If Hellboy wasn't made for a mass market, you wouldn't have the love story or the John Myers character... these are BOTH things (not from the comic) that del Toro AND the movie's producers even ADMIT were included to appeal to the widest audience they could reach. GDT knows he's not making artsy stuff here, he knows he's in the realm of the blockbuster. There's nothing wrong with that, but even he admits that his bigger budget American movies are meant for a bigger audience than his artsier foreign films, which are aimed towards the smaller, arthouse market. He says this in almost every DVD commentary he's ever given. He works in both totally different realms, which is a huge testament to his adaptability as a film maker. So saying that GDT is just making Pacific Rim for kaiju/anime fans or Tarantino only makes movies for spaghetti western fans or whatever just isn't true. These guys make movies for everybody, those niche groups included.
Kaiju Transmissions Podcast-
If It Bleeds, We Can Kill It Podcast