Thor: Ragnarok is fantastic! Top-tier MCU all the way.
This is exactly the game-changing breath of fresh air that Thor needed. The first
Thor was really good and creative, totally unlike any other superhero origin story, but
Thor: The Dark World remains the worst MCU entry to date. It's not awful and it does have some good things going for it but the plot and tone are just aggressively generic. Between Malekith's nondescript plan to plunge the entire universe into darkness, the faceless minion Dark Elves, the sitcom-style humor, that whole contrived 'escape from Asgard' sequence, and the token moments of loss and mourning, it all adds up to a really generic action movie. It feels like Marvel is just coasting on the laurels of the first film's success, not unlike
Iron Man 2.
With
Ragnarok, the Thor series switches from irrelevant to irreverent and it works beautifully. I mean, just compare the original title logo from Marvel's 2014 announcement to the one they ended up using for advertising and merchandise:
The first logo suggests a movie in the same vein as
Thor: The Dark World but more somber and grim. The logo Marvel went with to sell the flick reflects what it ended up being: a wild and colorful space adventure.
Director Taika Waititi's style of humor is a rejuvenating change for Thor and for the MCU in general. It's dark humor presented lightly with a satirical edge. As applied to this intergalactic Marvel caper, it's similar to animated sci-fi comedy series like
Futurama,
The Venture Bros., or
Rick and Morty. This kind of movie might have felt out of place for Thor in the early days but at this point, with this being the MCU's 17th entry in ten years, it makes for a refreshing and engaging romp. I'm more able to take this crazy story seriously because of just how grim and somber it isn't.
Thor, Loki, the Hulk and Bruce Banner really grow as characters here while the newcomers are realized wonderfully. Hela, Valkyrie, Skurge and the Grandmaster all feel like real people with distinct qualities driving them and they each lend unique context to the story and the worlds they inhabit. The plot is rapidly paced but it never loses focus even with everything that's going on. Special mention must also be made of the music. The original score by Devo's Mark Mothersbaugh mixes symphonies with synthesizers gleefully and the utilization of Led Zeppelin's Immigrant Song is genius.